Music Releases 04-09-21
Fearless: Taylor's Version [2 CD]
Be Here Instead [LP]
They're Calling Me Home
In Another World
Silver Synthetic [LP]
Abolition Of The Royal Familia - Guillotine Mixes [2LP]
SPIRIT OF THE BEEHIVE
ENTERTAINMENT, DEATH [Indie Exclusive Limited Edition Maroon, Deep Purple and Coke Bottle Clear Marbled LP]
Video Free Stuff
Sunflower [Translucent Blue-Green LP]
The Pink Stones
Introducing...The Pink Stones [LP]
Born Here Live Here Die Here: Deluxe Edition
Reverend Peyton's Big Damn Band
Dance Songs For Hard Times [LP]
Promenade Blue [LP]
Positions [Coke Bottle Clear LP]
ROADRUNNER: NEW LIGHT, NEW MACHINE
The Blips [LP]
Bill MacKay and Nathan Bowles Keys
Mass Cult Suicide
Fleetwood Mac Live: Super Deluxe Edition [2LP/3CD/7in]
Wilcovered [Red 2LP]
Push Back [LP]
Waiting For Good Luck
FKJ & Tom Misch
Losing My Way [12in Vinyl]
Music Releases 04-16-21
After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on The Tonight Show Starring Jimmy Fallon and Saturday Night Live, GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden's Gate on Lava/Republic Records. Indie Exclusive on white vinyl.
Vinyl: $29.98 Buy
Finding Wildflowers (Alternate Versions)—the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators—will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe 9-LP version of 2020’s Wildflowers & All The Rest, will now be available on limited edition gold vinyl for indie retail, and CD. A black vinyl release will follow on May 7.
Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.
The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process, and finding the group willing to do whatever it took to discover the essence and magic in the material.
Reigning CMA Entertainer of the Year Eric Church confirmed that new music is on the horizon: "I have [new] albums coming out in April. They came out of my 28 days in the mountains of North Carolina, where the songs were recorded and written. The collection is entitled Heart & Soul."
Eric Church - Soul
Vinyl: $59.98 Buy
Indie Exclusive includes a litho print (the grey print of the OG album cover.)
On June 20, 2000, Deftones released their third studio album, White Pony, which was immediately acclaimed as a masterpiece by fans and critics alike. Fueled by the successful singles "Change (In the House of Flies)" and "Digital Bath," the album is the band's highest selling album and is certified platinum by the RIAA. The band also won the 2001 Grammy for Best Metal Performance for the song "Elite."
In the 20 years since release, the album has continued to grow in stature and influence. Inspired by DJ Shadow's Entroducing..., Deftones had the idea to have DJ Shadow reimagine the entire White Pony album, and call it Black Stallion. Twenty years later, Deftones hand-picked a diverse and brilliant collection of artists, including DJ Shadow, to make that idea a reality.
White Pony (20th Anniversary Edition) is now being re-issued with Black Stallion as the bonus disc. Black Stallion is an album of newly commissioned remixes (all done in 2020) of the 11 tracks on the original release of White Pony. Black Stallion includes remixes of each of the individual 11 tracks from the original White Pony album by different artists including DJ Shadow, Robert Smith, Squarepusher and Mike Shinoda.
Cannibal Corpse will be releasing a new studio album called "Violence Unimagined" on 4/16. The title tells you everything you need to know about Cannibal Corpse's fifteenth hellish opus. Comprising eleven tracks, it is state of the art death metal played with passion and breathless precision, making for another flawless addition to what is inarguably one of the premier catalogues the genre has thrown up.
After the success of Painted Shield on RSD, Loosegroove Records will be releasing a previously unreleased punk album recorded in 1982. The Living features Duff McKagan (of Guns N' Roses, Velvet Revolver) and Greg Gilmore on drums (of Mother Love Bone)
The legendary So-Cal punk group The Offspring return with their 10th album (and first new offering since 2008), the blistering and triumphant Let The Bad Times Roll. Produced by Bob Rock, the group describes the album as "the most cathartic thing we've done. The messages might be dark, but at the end what's left is that communication is important, working through feelings is important and most of all, hope is important."
The goal of the album is to show Imelda May returning to her most honest self. Truthful beauty, feminine intuition. Intelligence. Visually, we should be showing a soft sense of warm spirited grittiness. Intimate. At home. Behind the curtain Imelda's radiant smile and illuminating laughter. A nod to her roots. Irish Heritage & inherent connection to storytelling. Imelda's words as a lyricist/poet/writer & overall thread to her Irish roots as a storyteller is a key thread within the campaign.
MP3 Album: $12.99 Download
The Network were formed in the year 2003, fulfilling an ancient prophecy predicting that we, its chosen members, would issue a stern warning to mankind in the form of music. Released as the album titled Money Money 2020, we shined the headlights upon the follies and vanity of mankind. Rapidly achieving fame and fortune, we had often been mistaken as the planet’s greatest rock ‘n’ roll band, Green Day. This earthly comparison is almost as comical as the humans that inhabit this dying planet! A Time Machine & The Church of Lushotology... After our mercurial rise and the foundation of the Church of Lushotology, we have seen riches beyond imagination, thus we abandoned the doldrums of stardom and focused our efforts on time travel and the salvation of things beyond the human grasp! Within our travels through both time and space we have seen the futures foretold in the prophecy, and it is both disastrous and hilarious! Beyond these interstellar crossroads lie parallel dimensions where the oxymorons can create their own destiny! Choose wisely, for the devolution of man has always been a choice. The release of Money Money 2020 Part II: Told Ya So! will serve as the final lesson! Within the binary codes of this album exist the keys to our past, present, and future DNA! The Gods are laughing & it’s up to you to prove them wrong... You're welcome... -The Network The Church of Lushotology is in session and it’s time to drink up!
Description: Nearly two decades into her storied career, 9-time GRAMMY-winning singer, songwriter, pianist, and 2020’s most livestreamed artists, Norah Jones is set to release her first full live album ‘Til We Meet Again.The collection presents globe-spanning performances from the U.S., France, Italy, Brazil, and Argentina that were recorded between 2017-2019. The 14 songs featured on ‘Til We Meet Again also span Jones’ entire career from her 2002 debut Come Away With Me (“Don’t Know Why,” “I’ve Got To See You Again,” “Cold, Cold Heart”), 2004’s Feels Like Home (“Sunrise,” “Those Sweet Words”), 2012’s Little Broken Hearts (“After The Fall”), 2016’s Day Breaks (“Flipside,” “Tragedy”), as well as her more recent singles series (“It Was You,” “Begin Again,” “Just A Little Bit,” “Falling,” and the GRAMMY-nominated “I’ll Be Gone”).
The album closes with Jones’ stunning solo piano performance of Soundgarden’s “Black Hole Sun,” a tribute to Chris Cornell that was recorded at the Fox Theatre in Detroit just days after Cornell’s death following a performance at the same venue.
FITZ introduces this chapter with the title track and first single “Head Up High.” Sunny acoustic guitar and handclaps strut towards an upbeat and undeniable chorus backed by boisterous horns. “The song was a telling moment,” he recalls. “We logged into the ZOOM session, and you could read the weight we were carrying on our faces. Collectively…not as a city, community, country, or even continent…the whole fucking world is carrying the weight of what the Global Pandemic has meant. We’re all experiencing it at the same time. So, the statement rang out, ‘You’ve got to keep your head up’. The message feels so relevant. Life is not a sprint; it’s a fucking marathon. I needed to hear that message and express it in a song to rally everybody to keep their heads above water.” It’s a message that certainly applies to the moment, but really rings true forever.
Havok’s 2012 Point of No Return EP. Limited Edition on translucent brown w/ opaque yellow splatter vinyl.
Garage A Trois return in the form from which they were born 22 years earlier with a new studio album, ‘Calm Down Cologne.’ Comprised by guitarist Charlie Hunter, saxophonist Skerik and drummer Stanton Moore, OG GAT released its debut album ‘Mysteryfunk’ to wide acclaim in 1999. The band evolved over the pursuant years in various configurations before eventually going on hiatus following its 2015 album, ‘Always Be Happy, But Stay Evil.’ In 2019, however, the original trio reunited for a handful of shows. This would also result in an afternoon spent recording at Pearl Jam guitarist Stone Gossard’s Studio Litho in Seattle, right across the street from where the band was playing a sold out, three night run at Nectar Lounge. Ace engineer Randall Dunn was invited to document the proceedings and in one magical session the resulting album was captured. Dunn would take the tracks back to AVAST! Recording Co. for mixing. With all but a few edits on the beginnings and ends of performances, Calm Down Cologne presents the music as it was played in the studio that day. A high-stepping mind/body elixir, 'Calm Down Cologne' finds Garage A Trois in full improvisational flight, composing live, in the moment, on the studio floor. Hunter on the Hybrid Big6 and Moore on the drums and cymbals are locked in a mountainous groove throughout. Simultaneously, Skerik conjures the melodic lines with one hand on the saxophone and the other on a clutch of analog keys: Modal 001 synth, Rhodes 54 and Mellotron, among them. The jaunty title track is the only pre-composed piece on the collection, while Seattle singer Christa Wells adds the LP's sole overdub—a Stereolab-esque inspired vocal matching the sax/keys line on aptly-titled "The Epic." Set opener “No Zone” finds OG GAT channeling Stuff with Eddie Harris sitting in. The outcome is electrifying. The album's centerpiece, the massive “In-A-Pro-Pro," stretches ten-plus minutes as it checks a number of vital boxes for which Garage A Trois are celebrated: stone cold funk, outer-space breakbeats, ‘70s 'On The Corner' guitar grease. Ever the masters of shapeshifting, OG GAT seamlessly reconfigure course on "Numinous," a dubbed-out descent that winds down the record. As for the rather curious album title, the story goes that legendary underground Seattle artist Rick Klu gave Skerik the idea when he was describing a bouncer having to use some ‘calm down cologne’ on an unruly patron. More metaphorically speaking, a whiff of Garage A Trois' new magic potion elicits a “free your mind and your ass will follow” response—truly a much needed balm in these anxiety-ridden times.
In modern-day progressive rock, it seems as though there is a new supergroup every few weeks. But long before this was the norm, and before musicians were routinely involved in more than one band, there was Liquid Tension Experiment. Back in 1997, Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel), joined forces to create Liquid Tension Experiment. The foursome would release their iconic, self-titled debut album in 1998 and the dazzling follow-up, LTE2 in 1999, creating a dynamic, frantic, and inventive sound all their own. The incredible creativity between the collective would prompt Petrucci and Portnoy to invite Rudess to join Dream Theater, effectively marking the end of this side project. However, since that time, there have been few reunions more in demand. Now, with the world in lockdown and calendars unexpectedly aligned, the inconceivable has finally happened…Liquid Tension Experiment 3. The 8 songs on the new LTE3 are a mix of 4 fully composed tracks, 2 duets, 1 on-the-fly jam and 1 meticulously arranged cover. “We composed four songs. We realized that that was the same with the first 2 albums. So, this time around we did the same,” Portnoy explains. Jordan Rudess agrees, “It felt like a continuation, like we stopped recording LTE2 and walked in a week later we're doing LTE3. I know it's amazing to say, but time has passed in a moment, the blink of an eye, the chemistry is the chemistry, and it didn't change. It was great back then and it still is.” Petrucci comments: “Who would think that a bunch of guys our age would be playing like that? It's relentless. It's definitely like a statement, you know we're back. It follows in the Liquid Tension Experiment tradition absolutely, which is, that when you press play, it steamrolls you.”
The Armed returned with their first new album in over three years and Sargent House debut, ULTRAPOP. The album reaches the same extremities of sonic expression as the furthest depths of metal, noise, and otherwise "heavy" counterculture music subgenres but finds its foundation firmly in pop music and pop culture. As is always The Armed's mission, it seeks only to create the most intense experience possible, a magnification of all culture, beauty, and things. ULTRAPOP follows their recent contribution to the Cyberpunk 2077 soundtrack 'Night City Aliens' and 2018's critically acclaimed album Only Love, which landed on 'Album of the Year' lists from The Atlantic, Pitchfork, Rolling Stone, Vice, Stereogum, and many more. The album was co-produced by the band's own Dan Greene in collaboration with Ben Chisholm (Chelsea Wolfe) and features contributions from Mark Lanegan, Troy Van Leeuwen (QOTSA, A Perfect Circle), Ben Koller (Converge, Mutoid Man) and more.
Amigo The Devil has become a dark folk anomaly drawing attention from everyone from the likes of Noisey, Consequence of Sound, Kerrang, Brooklyn Vegan and more. LA Weekly described him as “Johnny Cash at his blackest, mixed with Father John Misty, if he exhumed graves at Hollywood Forever Cemetery.” While Rolling Stone proclaimed, “Kiranos unflinchingly explores dark and grim subject matter from suicide to serial killers… he spins these topics into dark love songs that explode into heavy-metal catharsis. He also balances out this bleak material with an undercurrent of humor that really translates in his gregarious live performances.
The follow-up to his Nonesuch debut, Satin Doll, released earlier this year, DRM features Gendel’s solo musical experiments with vintage instruments such as a forty-year-old Electro Harmonix DRM32 drum machine, antique synthesizers, and a sixty-year-old nylon-string guitar—accompanied by his voice. While Satin Doll was a futuristic homage to classic jazz, DRM includes just one cover song: Lil Nas X’s “Old Town Road,” which Gendel interprets as an instrumental, playing the melody on an old German analogue synthesizer.
Marty Friedman's presence in the world of music, the world of guitar, and Japanese pop culture is mystifying, bizarre, and nothing short of inspiring. Starting in 1988 with 'Dragon's Kiss', Friedman has regularly put out well received solo records. 'Tokyo Jukebox 3' is the latest in this distinguished, ongoing line. As the title suggests it's the third in this series of albums featuring covers of Japanese songs and follows on from 'Tokyo Jukebox' in 2009 and 'Tokyo Jukebox 2' in 2011. Let's all enjoy the fruits of his labour of love on 'Tokyo Jukebox 3', where Friedman takes J-Pop hits by the likes of Da Pump, Momoiro Clover Z, Sekai No Owari and Little Glee Monster, and gives them his own charismatic interpretations. Tokyo Jukebox 3 will be released in Europe, Australia and New Zealand on April 16, 2021 via Mascot Label Group/The Players Club.
Music Releases 04-23-21
Plastic Ono Band: The Ultimate Mixes [6 CD/2 Blu-ray Box Set]
Sweep It Into Space [Indie Exclusive Limited Edition Translucent Purple Ripple LP]
Frampton Forgets The Words [2LP]
Video Free Stuff PlayARt
Crestone (Original Score) [LP]
First Agnostic Church of Hope and Wonder [LP]
Fixed It All [LP]
The Who Sell Out: Deluxe Edition [5 CD + 2 7in Singles Box Set]
Rag ‘N’ Bone Man
Life By Misadventure [2LP]
Toumani Diabate x LSO
Too Much Pressure: 40th Anniversary Edition [2LP + Bonus 7in]
Lazer Guided Melodies: Remastered [LP]
The Prize Fighter Inferno
The City Introvert [Bone White LP]
Bring Backs [LP]
Flashback FM [Limited Edition White 2LP]
Vivian Leva & Riley Calcagno
Vivian Leva & Riley Calcagno [LP]
Chinatown (feat. Bruce Springsteen) [Translucent Red Vinyl Single]
Follow You / Cutthroat [CD Single]
Surface Sounds [White 2LP]
Dirty Honey [LP]
Bn9drone [Limited Edition White LP]
Bodom After Midnight
Paint The Sky With Blood EP [Gold 10in Vinyl]
Louder Than Noise... Live In Berlin
I Think We're Alone Now [Limited Edition Blue Vinyl Single]