Browse Store Inventory: New CDs
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2020 release from the industrial metal band. Project Regeneration 1 is the first of two volumes featuring the last recordings of the late founder, Wayne Static. This is the band's first studio album in 11 years following Cult of Static (2009), marking the longest gap between two studio albums in the band's career. Project Regeneration sees the return of the original Static-X lineup - bassist Tony Campos, guitarist Koichi Fukuda and drummer Ken Jay - and was produced by Ulrich Wild, who has produced albums by the band in the past.
On The Slim Shady LP, Eminem wants it all. He's conflicted, you see; the world has treated him badly, and he wants to respond in kind. But he isn't a straight-up gangsta--this is, after all, the first release on Dr. Dre's Aftermath Records, his post-Death Row-era venture--and Eminem (born Marshall Mathers) doesn't really want anyone to follow in his footsteps, which leads to some interesting contradictions on this album. In the first single, "My Name Is," he's self-deprecating, rapping about his poor upbringing and his hairy palms. But on the very next song, "Guilty Conscience," he plays the devil to Dr. Dre's angel--that is, until Eminem brings up an incident from Dre's devilish past, rapping, "You gonna take advice from someone who slapped Dee Barnes?" Later, on "'97 Bonnie & Clyde," he turns Will Smith's "Just the Two of Us" on its ear, making it a tale of murder; but on "My Fault," he actually feels bad--though whether it's for the girl he overdosed or for himself is tough to figure out. With his nasal Midwestern tone, Mathers has a clean, clear flow, and the production--by Dr. Dre, Marky, and Jeff Bass--is crisp but consistently fun. With his outlook, it's tough to take Eminem too seriously, but he's made an album you don't have to take seriously to enjoy.
The 20th Anniversary of The Slim Shady LP is set to release on 3LP 180 gram vinyl and 2CD on 13th December, 2019 in an updated Expanded Edition including bonus tracks, rarities, a capella’s, freestyles, and instrumentals.
Originally released on 23rd February, 1999 The Slim Shady LP turned Eminem from an underground rapper into a high-profile celebrity. The album featured production from Dr. Dre, the Bass Brothers, and Eminem himself. The Slim Shady LP is his first album with a major label after his first album Infinite was released on an independent label in 1996. The majority of the album’s lyrical content is written from the perspective of the rapper’s alter ego Slim Shady, whom the rapper created on the Slim Shady EP (1997).
The Slim Shady LP went on to be certified quadruple-platinum by the Recording Industry Association of America (RIAA) and has sold over 18 million copies worldwide.
Music to Be Murdered By is Eminem's eleventh studio album. The album was produced by Eminem and Dr. Dre, amongst other producers, and features collaborations with Black Thought, Q-Tip, Juice Wrld, Ed Sheeran, Young M.A, Skylar Grey, Don Toliver, Anderson .Paak, Royce da 5'9", Kxng Crooked and Joell Ortiz among others.
The third solo release for the rapper features guest appearances and contributions from such artist as 21 Savage, James Blake, Drake, John Mayer, Frank Ocean, Pharrell, Quavo, Swae Lee, Tame Imapala, Sevn Thomas, Thundercat, and The Weeknd.
GarciaLive Volume 14 showcases a buoyant acoustic performance from Jerry Garcia and longtime friend/bassist John Kahn during the middle of a rare duo tour. Recorded on January 27, 1986 at The Ritz in New York City, Garcia and Kahn deliver two exquisite sets featuring Grateful Dead favorites ("Ripple, " "Friend of the Devil, " "Dire Wolf, " and "Bird Song, " among others), spirited takes on Bob Dylan's "When I Paint My Masterpiece" and "Simple Twist of Fate", and more from Garcia's songbook.
2020 release. His last album - 2017's The Nashville Sound - a #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.
One of rock's most underrated guitarists (both from a technical and compositional point of view), Gary Moore is arguably one of the finest musicians that Britain has ever produced, with a career that dated back to the 1960s, there were few musical genres that Gary Moore had not turned his hand to. From his early beginnings in a local rock group called Skid Row, which featured a young singer by the name of Phil Lynott, who would soon after leave the group to double up on bass and form Thin Lizzy. Here we present 28 tracks of some of his greatest work including Parisienne Walkways, Nuclear Attack, Run To Mama, and Stormy Monday to name a few.
2020 release from the indie pop duo. The Naked and Famous' album reasserts the group as one of modern indie-pop's most exciting sonic trailblazers, taking them to emotionally inspired depths, while maintaining the fresh effervescence that has led to over 600 million collective streams to date. While they have sonically mastered the art of dreamy, hook-laden synth-pop, The Naked and Famous have stuck to their guns as far as intimate storytelling. Recover is largely an autobiographical record rooted in a powerful sentiment of survival, and of the very human process of self-preservation - of saving, choosing and celebrating oneself in a world constantly trying to put us down.
With this album Neck Deep wants to continue carving out their own unique space within rock, punk, and alternative music. They have no delusions of "saving rock" or being the biggest rock band out there. They just want to remain Neck Deep and be an even bigger, better Neck Deep than before. They understand their roots are in pop punk, but want to expand on their sound in their own way, taking inspiration from artists like The Beatles and Nirvana who did things their own way and still were able to be massive.
STRFKR has always been a constantly evolving entity, growing over the years from rambunctious beginnings into the manicured electro-pop perfection they exhibited on their last studio album, 2016's pristine Being No One, Going Nowhere. New album Future Past Life breaks new ground, dialing back some of the high-gloss production they're known for to craft songs that are stripped down, spaced out and somehow as visceral as they are dream-like.
In 2014, STRFKR's principal songwriter/lead vocalist Josh Hodges was staying in Amsterdam for a few months, working on the music that became 2016's Being No One, Going Nowhere. By complete chance, a European traveller who was crashing at Hodges' house in L.A. while he was abroad connected him with some like-minded musicians in Amsterdam, Mathias Janmat and David Hoogerheide. Even though they were more or less strangers, the three musicians clicked almost instantly, coming up with new songs that would eventually make up the bulk of Future Past Life. The immaculate but danceable pop that has long been STRFKR's calling card is pushed into exciting new places on Future Past Life. It's a strange and beautiful sonic environment, one that finds STRFKR growing as they embrace the chance and spontaneity that brought these songs about in the first place.
2020 release. Unfollow the Rules is Rufus Wainwright's ninth of original material, his first since Out of the Game (2012), and his first with BMG. The album was produced by Mitchell Froom, and other contributors include Matt Chamberlain, Jim Keltner, and Blake Mills. Includes "Trouble in Paradise", "Damsel in Distress", "Peaceful Afternoon", and "Alone Time". There's still a sense of mischief in Wainwright's songs, but there's also abundant passion, honesty and a kind of fearlessness pervading this album. He pushes the boundaries of pop with these tracks, which were mostly recorded in single takes, and his vocals are at their soaring, sublime best.
Alphabetland is the eighth studio album by American punk rock band X. Released digitally in April 2020, it is their first studio release in 27 years and the first with their original line-up in the past 35 years. The release has received positive reviews from critics. Alphabetland was recorded across several sessions in 2019 and 2020 with producer Rob Schnapf, who has previously worked with Elliott Smith, Beck, and Joyce Manor.
Even though these songs date from a time when the band's only songwriters were vocalist Exene Cervenka and Doe, all tracks are credited to all four members of X and the recording sessions coincided with the individual musicians improving their relationships with one another.
Norah Jones’ seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past 2 years as the songs she hadn’t yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.
With a legendary career spanning nearly five decades, KANSAS has firmly established itself as one of America’s iconic classic rock bands. This "garage band" from Topeka released their debut album in 1974 after being discovered by Wally Gold, who worked for Don Kirshner, and have gone on to sell more than 30 million albums worldwide. The band is currently comprised of original drummer Phil Ehart, bassist/vocalist Billy Greer, vocalist/keyboardist Ronnie Platt, violinist/guitarist David Ragsdale, keyboardist/vocalist Tom Brislin, guitarist Zak Rizvi, and original guitarist Richard Williams. With no signs of slowing down, KANSAS continues to perform in front of large and enthusiastic audiences around the world.The summer of 2020 marks the release of “The Absence of Presence,” KANSAS’s sixteenth studio album. The wide-ranging progressive rock album, released by InsideOut Music, follows-up 2016’s “The Prelude Implicit,” which debuted at #14 on Billboard’s Top 200 Albums chart.
Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.
Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others, Bridgers herself is more interested in discussing topics on Twitter, deadpanning meditations on the humiliating process of being a person, she presents a sweetly funny flipside to the strikingly sad songs she writes. Fittingly, Punisher is fascinated with, and driven by, that kind of impossible tension. Whether it’s writing tweets or songs, Bridgers’s singular talent lies in bringing fierce curiosity to slimy and painful things, interrogating them until they yield up answers that are beautiful and absurd, or faithfully reporting the reality that, sometimes, they are neither.
Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys). The album was mixed by Mike Mogis, who also mixed Stranger In The Alps.
On the album’s epic, freewheeling closer, “I Know The End,” Bridgers orchestrates wails and horns, drums and electric guitar into a sumptuous doomsday swirl, culminating in her own final whispered roar. This is Punisher in a nutshell: devastating elegance punctuated by a moment of deeply campy self-awareness.
Lianne La Havas's self-titled, third album spans the arc of a relationship. "What plays a big role in the album is the idea of the life cycle of plants and nature—equating this journey with a seasonal thing that blooms, thrives, goes away, and comes back even stronger," she says. Its musical references are as varied as Milton Nascimento, Joni Mitchell, Jaco Pastorious, Al Green, and Destiny’s Child. In keeping with the album's intimate feel, everyone who contributed is a trusted collaborator, including longtime songwriting ally Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa.
After going over 10 times platinum with his debut record, Juice WRLD is back to release his sophomore album, Death Race For Love. This album’s first two singles, “Robbery” and “Hear Me Calling”, debuted at #31 and #24 respectively on the Billboard Hot 100. Juice WRLD will perform at Coachella, followed by his highly anticipated North American headline tour.
Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.
311 are back with their 13th studio album VOYAGER, which features (appropriately enough) 13 new songs, four of which were recorded with Grammy-nominated producer John Feldmann (Blink-182, Panic! At the Disco) and nine of which were recorded with longtime collaborator/live engineer Scotch Ralston, who produced 311 albums Transistor, Soundsystem and Stereolithic.
The 1975’s highly anticipated third studio album A Brief Inquiry Into Online Relationships will be released on Friday, November 30th via Dirty Hit / Interscope Records. Their debut album The 1975 is now platinum with their most recently released album I like it when you sleep, for you are so beautiful yet so unaware of it surpassing Gold after having debuted at #1 on the Billboard Top 200.